Jan 092026
 

Been a while since I blogged about politics. Not because I don’t think about it a lot… but because lately, it’s become kind of pointless. We are, I feel, past the point when individuals trying to raise sensible concerns can accomplish anything. History is taking over, and it’s not leading us into the right direction.

Looking beyond the specifics: be it the decisive US military action to remove Maduro in Venezuela (and the decision to leave Maduro’s regime in place with his VP in charge), the seizure of Russian-flagged tankers, yet another Russian act of sabotage against undersea infrastructure in the Baltics (this time caught red-handed by the Finns), the military situation in Ukraine, the murder of a Minnesota woman by ICE agents, more shooting by US customs and border protection agents in Portland…

Never mind the politics of the day. It’s the bigger picture that concerns me.

Back in the 1990s, I was able to rent a decent apartment here in Ottawa, all utilities included, for 600-odd dollars. It was a decent apartment with a lovely view of the city. The building was reasonably well-maintained. Eventually we moved out because we bought our townhome. The price was well within our ability to finance.

Today, that same apartment rents for three times the amount. Our townhome? A similar one was sold for five times what we paid for ours 28 years ago. Now you’d think this is perfectly normal if incomes rose at the same pace, perhaps keeping track with inflation. But that is not the case. The median income in the same time period increased by a measly 30%, give or take.

This, I daresay, is obscene. It means that a couple in their early 30s, like we were back then, doesn’t stand a chance in hell. Especially if they are immigrants like we were, with no family backing, no inherited wealth.

In light of this, I am not surprised by daily reports about rising homelessness, shelters filled to capacity, food banks struggling with demand.

What I find especially troubling is that we seem hell-bent on turning cautionary tales into reality. For instance, there’s the 1952 science-fiction novel by Pohl and Kornbluth, The Space Merchants. Nowadays considered a classic. It describes a society in which corporate power is running rampant, advertising firms rule the world, and profit trumps everything. Replace “advertising” with “social media”, make a few more surface tweaks and the novel feels like it was written in 2025. When the narrative describes the homeless seeking shelter in the staircases of Manhattan’s shiny office towers, I can’t help but think of all the homeless here on Rideau Street, just minutes away from Parliament Hill, in the heart of a wealthy G7 capital city.

Or how about a computer game from the golden era of 8-bit computing, one of the gems of Infocom, the leading company of the “interactive fiction” (that is, text adventures) genre? I am having in mind A Mind Forever Voyaging, a game in which you play as the AI protagonist, tasked with entering simulations of your town’s future 10, 20, etc., years hence, to find out how bad policy leads to societal collapse. When I read their description of the city, I am again reminded of Rideau Street’s homeless population.

In one of his best novels, the famous Hungarian writer Jenő Rejtő (killed far too young, at 37, serving in a forced labor battalion on the Eastern Front in 1943, after being drafted on account of being a Jew) has a character, a gourmand chef, utter these words: “The grub is inedible. Back at Manson, they only cooked bad food. That was tolerable. But here, they are cooking good food badly, and that is insufferable.” The West is like that today. It’s not “bad food”: our countries are not dictatorships, not failed states governed by corrupt oligarchs, but proper liberal democracies. Yet, I feel, they are increasingly mismanaged, unable to deliver on what ought to be the basic contract between the State and its Subjects in any regime.

What basic contract? Bertold Brecht put it best: “Erst kommt das Fressen, dann kommt die Moral“, says Macheath in Kurt Weill’s Threepenny Opera: “Food is the first thing, morals follow on.” A State must deliver food, shelter, basic security, a working infrastructure, and a legitimate hope that tomorrow will be better (or at least, not worse) than today.

A State that fails at that will itself fail. A State that succeeds at this mission will survive, even if it is an authoritarian regime. In fact, if the State is successful, it does not even need significant oppression to stay in power: it will, at the very least, be tolerated by the populace. (I grew up in such a state: Kádár’s “goulash communist” Hungary.) The liberal West may only forget this at its own peril.

What happens when the basic contract is violated? People look for alternatives. They may become desperate. And that’s when populist demagogues arrive on the scene, presenting themselves as saviors. In reality, they have neither the ability nor the inclination to solve anything: they feed on desperation, not solutions.

In contrast, successful States, liberal democracies and hereditary empires alike, share one thing in common: the dreaded “deep state”. That is to say, a competent meritocratic bureaucracy, capable of, and willing to, recognize and solve problems. A robust bureaucracy can survive several bad election cycles or even generations of bad Emperors. Imperial China serves as a powerful example, but we can also include the Roman Principate and later, Byzantium. Along with other examples of empires that remained stable and prosperous for many generations.

No wonder wannabe despots often target the “deep state” first. A competent meritocratic bureaucracy, after all, stands in their way towards unconstrained power. Thinning out the ranks, hollowing out the institutions is therefore the top order of the day for the would-be despot. It’s not always true of course. Talented despots learn to rely on the competent bureaucracy as opposed to eliminating it. But talented despots are not myopic populist opportunists. They are that rare kind: empire builders. Far too often, the despots we encounter lack both the talent and the vision to build anything. They just exploit the pain, and undermine the very institutions that can alleviate that pain.

This is what we see throughout the West in 2026. Even as the warning signs get stronger—among them rising wealth and income inequality, an oligarchic concentration of astronomical wealth in just a few hands, rising homelessness, decaying infrastructure, an increasingly fragile health care system, rising indebtedness, lack of employment security—there appears to be way too little appetite for meaningful structural solutions. Instead, we get easy slogans. “It’s the damn immigrants,” says one side while the other retorts with a complaint about “white supremacism,” just to name some examples, without implying moral equivalence. The slogans solve nothing: they do create, however, the specter of an “enemy” that must be eliminated, an “enemy” from whom only the populist can protect you.

One of the best records of one of my favorite bands, Electric Light Orchestra, was the incredibly prescient concept album Time, released in 1981. In addition to predicting advanced, well-aligned AI in such a way that feels almost uncanny in detail (“She does the things you do / But she is an IBM / She’s only programmed to be very nice / But she’s as cold as ice […] She tells me that she likes me very much […] She is the latest in technology / Almost mythology / But she has a heart of stone / She has an IQ of 1001 […] And she’s also a telephone“) they also describe a future that is… hollow: “Back in the good old 1980s / when things were so uncomplicated” – in other words, when Western liberal democracies still understood how to deliver on that basic contract, Brecht’s “basic food position“.

 Posted by at 1:03 am
Jan 262025
 

Someone reminded me of Kurt Weill’s poignant 1936 anti-war musical Johnny Johnson today. I recalled in particular the last song, Johnny’s song, in which the simple-minded protagonist Johnny, never losing his faith in humanity, tries to sell toys to an indifferent public who are rushing over to the next square to listen to another warmongering speaker. “Toys, toys!” cries Johnny but no one listens.

I did not remember the song’s lyrics. Apparently, there are different versions, but the one I am familiar with includes these lines (emphasis mine):

At last we’ll find the day
When joy shall be our song

I hear them say it’s all baloney
The world’s a mighty cruel place
With tooth and claw and promise phony
An old hard guy he wins the race

But you and I don’t think so
We know there’s something still
Of good beyond such ill
Within our heart and mind

Ouch. Did Paul Green, who wrote the song’s lyrics, foresee the future?

Oh well. Here’s a Midjourney cat that I think aptly captures the musical’s atmosphere.

 Posted by at 2:50 pm
Oct 302024
 

Here’s a pro-Trump view of the recent Trump rally, shared by CNN’s Fareed Zakaria in his October 30 “Global Briefing” newsletter:

Americans are tired of living in survival mode. Raging wars, a crippled economy, an immigration crisis, a growing chasm of political division, and rapid inflation have made Americans realize that they want joy again, they want unity again, and they want to dream again. Standing in such a significant arena, surrounded by a sea of red hats and adoring, cheering Trump fans, I couldn’t help but get emotional about how historic this moment in time is for our country. I was 14 years old when Trump was elected president and have, like many of his other supporters, been forced to deal with the vitriol, insults, and hatred of the left over the past eight years. It has often been tiresome to stand up for my own beliefs in the face of such fierce adversity. But watching Trump on that glorious stage at Madison Square Garden reminded me—reminded all Americans—of what lies ahead with a Trump presidency: hope. And that is always worth fighting for.

To say that these words — honest, heartfelt no doubt — give me the creeps is the understatement of the year. What these words actually remind me of is this immortal scene from the film Cabaret:

Yes, they were earnest. Their feelings were true. And that’s what makes this scene one of the most disturbing scenes ever in movie history.

 Posted by at 6:28 pm
Nov 042023
 

I grew up on The Beatles.

OK, I came a little late I guess, as The Beatles broke up when I was in the second grade, and truly it wasn’t until the fifth grade that a classmate introduced me to the Red and Blue albums… But I fell in love with their music. I couldn’t believe that they were not together anymore, and like many young teens my age, I kept hoping that they’d reunite until Lennon was murdered.

I never stopped loving their songs.

What I did not expect was that I’d be listening to a new Beatles song almost 50 years later, in 2023.

I admit I was skeptical at first. I expected something that would bear a vague, soulless resemblance to what The Beatles used to be, a cheap attempt to cash in on their fame one very last time.

Instead, I was listening to an authentic Beatles song. One of their best, as a matter of fact. And I was looking at a video that brought Lennon and Harrison back to life, cheerful, funny, joyous, happy…

Bless Peter Jackson. There are “deepfakes” and then there are “deepfakes”… and I cannot think of a more appropriate, more respectful use of AI, bringing legends of the past back to life, as in this video.

I have listened to the song and watched Peter Jackson’s masterful creation at least five times in a row. And every time, I was almost in tears.

 Posted by at 6:53 pm
Aug 242023
 

Whatever you think of The Rolling Stones, announcing their new album this way is… classy.

What is less classy is that I could not share the original link on Facebook because “news” cannot be shared on Facebook in Canada anymore. What can I say? Idiotic laws deserve idiotic reactions. And I say this despite the fact that I am not particularly fond of Meta/Facebook these days (to say the least) and I am not particularly antagonistic towards Trudeau’s Liberals either. Still, stupid breeds stupid.

 Posted by at 1:47 am
Jul 212023
 

I admit that for the longest time, I didn’t even like Tony Bennett. But that changed in recent years. Acquired taste, perhaps?

Anyhow, the legendary Tony Bennett is no longer with us. I asked MidJourney to imagine him in the afterworld, performing his most favorite song.

While there doesn’t appear to be anything particularly afterworldly in this picture, I think it’s a fitting tribute nonetheless.

 Posted by at 2:31 pm
Mar 232023
 

My latest interaction with ChatGPT:

vttoth: Please write a short piece of music, suitable to be played while showing the stylized image of a cat, in Lilypond.

ChatGPT: LilyPond is a text-based music engraving program that uses code to create beautifully engraved sheet music. Here’s a short piece of music written in LilyPond, suitable to be played while showing a stylized image of a cat. This piece is intended to have a playful and curious character, much like a cat.


\version "2.22.1"
\header {
  title = "Cat's Paws"
  composer = "ChatGPT"
}

upper = \relative c' {
  \key g \major
  \time 3/4
  g4. g8 a g8~ | g r8 a2 |
  a4. a8 b a8~ | a r8 b2 |
  b4. c8 d b8~ | b r8 c2 |
  g4. g8 a g8~ | g4. r4. |
}

lower = \relative c {
  \key g \major
  \time 3/4
  g2 d4 | g2 r4 |
  a2 e4 | a2 r4 |
  d2 c4 | d2 r4 |
  g2 d4 | g2 r4 |
}

\score {
  \new PianoStaff << \new Staff = "upper" \upper \new Staff = "lower" \lower >>
  \layout { }
  \midi {
    \tempo 4=120
  }
}

Copy the above code into a text editor and save it with a “.ly” extension. Then, compile the file with LilyPond to create a PDF and MIDI file.

I admit I had to make a few adjustments to the code (specifically, the upper voice) as the timing was off in a couple of places, but I don’t think I altered the music.

 Posted by at 11:13 pm
Feb 132023
 

In her famous 1984 song, German singer-songwriter Nena sang about 99 balloons that trigger World War III.

Here is the ending of the song, along with my less-than-perfect translation:

Neunundneunzig Jahre Krieg
Ließen keinen Platz für Sieger
Kriegsminister gibt’s nicht mehr
Und auch keine DüsenfliegerHeute zieh’ ich meine Runden
Seh die Welt in Trümmern liegen
Hab ‘n Luftballon gefunden
Denk’ an Dich und lass’ ihn fliegen
Ninety-nine years of war
Left no room for a victor
There are no more war ministers
Also no more fighter bombersToday as I took a stroll
Saw a world, ruined by war
There, I just found a balloon
Thinking of you, I let it fly soon

What can I say? A few more Chinese balloons over North America, a few more large-scale exchanges in Ukraine, and perhaps we’ll no longer need any war ministers anymore.

 Posted by at 6:39 pm
Mar 112022
 

Cellist Yo-Yo Ma found the classiest way to protest Russia’s naked, unprovoked aggression. Without any publicity, he simply went to the Russian embassy in DC and played.

We would not even know about this had a passing bicyclist not recognized him.

I suspect that once it is all over (and who knows how many human beings will suffer and die before it’s all over?) the world will remember this scene as iconic.

 Posted by at 2:56 pm
Mar 112022
 

Several years ago, while playing one of the computer games from the renowned Fallout series (to those unfamiliar with it: the games are set in an alternate retrofuturistic world, centuries after the apocalypse of the Great War of 2077 that ended civilization — in-game radio stations, however, play music mostly from the Golden Age of American radio, from the 1930s to the 1950s, including the iconic I don’t want to set the world on fire by The Ink Spots) I put together a “doomsday” playlist of songs I want to listen to while I await the fateful flash. (Here in Ottawa Lowertown, chances are that we will see the flash but won’t live long enough to hear the kaboom.)

Unfortunately I have no public links: the MP3 files reside on my computer along with the playlist itself. But I thought I’d share the list nonetheless, as most of the songs are easy to find. In any case, I think the titles alone tell a story.

  • I don’t want to set the world on fire – The Ink Spots
  • Bad Moon Rising – Creedence Clearwater Revival
  • Is That All There Is – Peggy Lee
  • Yesterday – The Beatles
  • C’est la vie – Emerson, Lake and Palmer
  • Non, je ne regrette rien – Edith Piaf
  • I did it my way – Frank Sinatra
  • 99 Luftballons – Nena
  • Here is the news – 21st century man – Electric Light Orchestra
  • Mother – In the flesh – Pink Floyd
  • Rejoice in the Sun – Joan Baez
  • Adios Nonino – Astor Piazzolla
  • Blondie – Philip Glass remix – Daft Beatles
  • November – Tom Waits
  • Brazil – Geoff Muldaur
  • Strange fruit – Billie Holiday
  • Sway (from Dark City) – Anita Kelsey
  • Kurt Weill’s Ballad of the soldier’s wife – P. J. Harvey
  • Sweet Dreams – Eurythmics
  • Round midnight – Thelonious Monk
  • We’ll meet again – Vera Lynn

There you have it.

 Posted by at 12:23 pm
May 142021
 

No, it’s not one of my cats posting a blog entry.

Rather, it’s a whimsical title someone gave to the following composition:

I started my day listening to this. I am still smiling. I think it sounds a little bit like Klingon opera, or perhaps like a piano piece written by a Klingon composer. But it’s not bad, not bad at all.

 Posted by at 3:47 pm
Apr 132021
 

I didn’t realize it was more than 11 years ago.

It is rare that a piece of music has such an impact on you that you remember clearly the first time you heard it. Yet I do remember it very well: I first heard Danzon n°2 by Arturo Márquez on Highway 401, on my way to the Perimeter Institute in Waterloo, listening to the CBC on the radio.

What I didn’t realize that it was this long ago. More than 11 years already!

I heard this amazing piece of music again tonight, on Sirius XM. Different performance, but just as spirited as the one I am familiar with.

 Posted by at 1:24 am
Oct 112020
 

I learned the other day that Jeff Lynne was made an Officer of the Most Excellent Order of the British Empire.

Lynne is one of the founders of the supergroup Electric Light Orchestra. Though there were inevitable changes and periods of inactivity, ELO has been in business for a remarkable 50 years.

I first “met” ELO in the mid-1970s when my uncle returned to Hungary from a trip to Canada. He brought a few records, including ELO’s On The Third Day, and he let me make a cassette copy.

This was my first encounter with ELO’s brand of progressive rock, a mix of pop rock and classical instrumentation. It was instant love on my part. Their interpretation of Grieg’s In the Hall of the Mountain King from Peer Gynt, in particular, left a lasting impression. Incidentally, it also increased my appreciation for classical music.

These days, I often listen to ELO when I am working. It works better than almost any other piece of music, helping me focus on my work. Especially useful when I am working on a difficult problem, whether it is physics or a tough code debugging exercise. As a matter of fact, I was actually listening to ELO when I first heard the news.

I suppose I cannot call Mr. Lynne Sir because for that, he’d have had to be made a Knight of the OBE, not a mere Officer. Even so, all I can say is that it’s an award well-deserved. Thank you for the music, Mr. Lynne, OBE.

 Posted by at 6:27 pm
Mar 222020
 

Working from home is easier for some than for others.

Members of a symphony orchestra have to get a little more creative than most of us, but that didn’t stop members of the Danubia Symphony Orchestra of Óbuda, from Budapest, Hungary:

Nicely done!

 Posted by at 6:18 pm
May 132019
 

I have learned to love the voice of Doris Day.

Her version of No Moon At All is one of my all-time favorites.

Early this morning, I found out that she passed away. May she rest in peace.

 Posted by at 12:53 pm
Mar 252019
 

The other day, I started listening to Google Music’s personalized music stream.

I am suitably impressed. The AI is… uncanny.

Sure, it picked songs that I expressed a preference for, such as songs from the golden age of radio that I happen to enjoy. But as I continue listening, it is presenting an increasingly eclectic, enjoyable selection. Some of it is quite new, from artists I never heard about, yet… it’s music I like. For some reason (maybe because I am in Canada? Or because it knows that I am trying to improve my French? Or was it a preference I once expressed for Édith Piaf?) it started presenting a whole bunch of French music, and again… some of it is quite likable. And now that I purposefully sought out a few classical composers, the AI realized that it can throw classical pieces at me as well, which is how I am suddenly listening to Schubert’s Ave Maria.

As a matter of fact, the eclectic choices made by Google’s AI remind me of two radio programs from the CBC’s past, long gone, long forgotten by most: Juergen Goth’s Disc Drive and Laurie Brown’s The Signal. Both these shows introduced me to music from excellent artists that I would otherwise never have heard about.

And now Google’s AI is doing the same thing.

I am also getting the sense that the more I listen, the bolder the AI becomes as it makes its choices. Instead of confining me to a bubble of musical genres of my own making, it is venturing farther and farther away from my presumed comfort zone.

Which is quite impressive. But also leaves me wondering how long before our machine overlords finally decide to take over.

 Posted by at 7:27 pm
Jan 042019
 

Even as China was celebrating the first successful landing of a spacecraft on the far side of the Moon, NASA’s New Horizons continued to radio back data from its New Year’s Day encounter with Ultima Thule: a strange, “contact binary” asteroid in the Kuiper belt, far beyond Pluto.

Ultima Thule will remain, for the foreseeable future, the most distant celestial object visited by spacecraft. While there is the odd chance that New Horizons may find another target within range (as determined by the on-board fuel available, which limits trajectory corrections, and the aging of its nuclear power source that provides electricity on board), chances are it won’t happen, and it won’t be until another deep space probe is launched, quite possibly decades from now, before we get a chance to see a world as distant as Ultima Thule.

Another piece of news from the New Horizons project is that so far, the probe found no moon orbiting Ultima Thule. No Moon At All.

https://youtu.be/4GxvSALRLzM
 Posted by at 8:46 pm